30/12/2011

Scriptings

Haven't really added that much to the script since last time, but this is the finished script. Not entirely sure of the length of this, but that can be changed in post-production with how I wanted to do this. I'll go over this again soon to see how my perception has changed and whether the script will need to change because the that change.
INT. Interrogation Room - EVENING
Artificial lighting shines down to the centre of the room. A man, JASON WARD is sitting covered by the pale light. On the other side of the DESK a detective, JONATHAN SPENCER, is sitting cross legged, with his pen held in his hand. A COFFEE sits steaming on the desk just in front of SPENCER.
JASON has half of his face spattered with blood and his entire chest and leg also spattered with blood. This is never suddenly revealed until the ending of this sequence.
JASON (V.O.)
(Stuttering)
It was around a, month ago. I met this man. In a bar. We, got talking on about his life. Mostly his, bad times. It was pretty obvious he had had a really bad day. He had been drinking for most of the two hours. Constantly. He ordered a new drink, every time he finished one. He finally said after the, two hours that he should probably go home. He left with a bit of a stumble, didn't really annoy anyone else. Most people had left. He got in his car. A 96' fiesta. Navy blue. He turned the key. I watched him as he went on his way. The next day I took the day off work. I went to his neighborhood, he said the night before, he said he lived on Greenway, went to the exit and saw him drive out in his car. I drove behind him until he got to his work. Found out from the receptionist he finished at, quarter to two. I was back at his house. He pulled into his, drive at quarter past two. stopped and waited for something. I don't know what, made me so angry. It was just him.

Jason is a character who should scare the audience, even from the outset his appearance should provoke fear or unease into the audience. Jason is covered in blood - the questions provoked in the audience are; why? how? It also makes the audience think that he has been involved with death, along with him being handcuffed makes him a murderer most likely. 

The camera shots of Jason are also going to increase the suspicion of what Jason has done to be in the jail cell. Slowly revealing characteristics of him to give the audience one new thing to focus on in each shot.


17/12/2011

Jason; Mark II

I've been talking to my sister, who is studying Psychology in her final year at the moment. She's been specializing in multi-personality disorders, but also in schizophrenia. I asked her if Jason's disorder was feasible and turns out it more into the schizophrenia side of things; when some one 'hears voices', as my sister put it. She said that it is very common for a serial killer to have schizophrenia, when someone with the disorder does kill someone, it is very hard to charge them under the same charges as someone without the disorder. Most of the time the killer will end up having to go to an asylum.


Other films that involve a serial killer with schizophrenia include the recent Australian true story film; Snowtown. The character of James Vlassakis, who is currently serving a life sentence for being involved in four murders between '97 and '99. In the film, James finds out from his doctor that he has mild schizophrenia, although the real James Vlassakis isn't publicly known to have the disorder. In Snowtown the James is perceived as someone that could have something wrong with him. 


James Vlassakis in Snowtown [2011]. Played by Lucas Pittaway
The character of James is someone who just seems to go along with whatever really happens to him, he never makes his own decisions, he is told what to do and does it, and when someone wants something from him, James doesn't hold any will to stop them. James' schizophrenia may have been caused by many different things; growing up the rough suburbs of Adelaide, in his early life his father had left, leaving his mother to find another man who can supply money for the family and also care for her three children when she isn't around. Within the first 20 minutes of the film, the first man she puts her trust in, turns out to be a pedophile who abuses James and his brothers. Throughout the rest of the film, James is surrounded by things people of his age shouldn't be, his mother introduces a gay man into the friendship of the family, a new man (John Bunting) marries James' mother, John's son (Troy) from another woman starts to live with the family, Troy rapes James, eventually James gets involved with a series of murders that Troy and one of his close friends plan.


These events that have occurred throughout James' early life have tortured his mind into having schizophrenia. From this film it is easy to understand that the perception of schizophrenia is normally always associated with murder, and in it's worst cases serial killings. Schizophrenia always perceived as part of a villain in most films, with films like Silence Of The Lambs and Donnie Darko viewing it as a downside, but still the characters are the interest of the film.


I want Jason to be somewhat of a character like James from Snowtown, Hannibal Lecter from The Silence Of The Lambs and Donnie Darko from, er, Donnie Darko. These characters have always been the focus of the film, never has anyone said to me that they remember The Silence Of The Lambs for anything other than Hannibal Lecter or Buffalo Bill. Jason should be a character who has a control over the rest of the characters, where he knows the entire story of what the detective is trying to discover, whether or not he knows the man Detective Spencer is trying to find. Hannibal Lecter is a character who is scary because not much is known about him, other than he knows who Buffalo Bill is (possibly) and he also has leverage over the protagonist, yet he is in a jail cell. He is generally a scary character for how he is capable of so much, not much known about him and how he has such a reputation of a mass murder and a cannibal but seems like a relatively normal person.

15/12/2011

Character Bio: Jason Ward

Kinda stuck on the rest of the script, so I thought that coming up with a better character bio of Jason would help come up with the rest of the opening speech. It's given me a bit more to think about on why Jason would want to kill his victims. I've thought that maybe there's something that Jason sees in every victim that he doesn't like, or that part of him sees something that reminds him of his rough(ish) upbringing and therefore tries to get rid of it i.e. the person. I think that quite a complex motive would make the story more interesting for people as they would want to see the film again to understand Jason's motives and what is wrong with him.

Jason is a serial killer who is only roughly 20 years old. He has a job as a an financier at a local communications company. He doesn't have much of a social life, but tries to get out to pubs or restaurants to meet people. His hobby's include painting, photography and hiking. Not much is known about him by anyone else, as he tends to keep to himself except when he is interested in someone else and they ask about his life. He hasn't spoken to his mother in a few years, and his father died when Jason was just four years old. Jason was clever from quite a young age, but never seemed to do anything besides work, he gets his relaxation and peace from doing mental exercises or working on something a little less complicated than his normal work. Jason has never been close to anyone in a relationship sense, mostly because he would never be sociable with anyone outside of his work, and was never interested in girls as a young boy. At university no-one ever mentioned him in conversation as he always stayed in his flat, and never left other than to go to classes or to get food. He's always had a job since he got out of high-school. After he left high-school, he took a gap year, then applied for a economics course at Oxford university, Southampton and Manchester. He was turned down at Oxford, but the other two accepted him, he ended up going to Southampton and doing a Post-Graduate course at Manchester university. After this he went back to where he was working before University.

Jason has a type of Multi Personality Disorder where one personality is thinking that the person should be killed because they have something that has reminded him on his younger life. This side of his mind cannot take full control of Jason's actions, so he is left with emotion that he doesn't know why he has it. He ends up killing people, mainly without knowing, yet still accepts that he has done it.

12/12/2011

Four Walls II

I've finally got a pretty much finished logo of the movie;




It's only a first draft, but pretty much close to the final logo that I'd like to have, it needs a little more tinkering to get rid of the mechanical movements, but besides that I really like the blur effects I've added in, which was made by having three separate video layers and applying a fast blur on all of them in After Effects. One layer with a horizontal and another with a vertical to get the box blurring together, then another layer with an overall blur to get a fading in blur on it.


The font was blurred in and set to come together as it gets closer to the centre, the movement is still a little jerky, which I'll change to become more smooth.


Really happy with this draft, got everything how I wanted it, now moving onto the actual film...


I've started to write a bit of the script for it, not really in detail but I'm getting a set piece for the dialogue in the opening. Here it is so far...


INT. Interrogation Room - EVENING
Artificial lighting shines down to the centre of the room. A man, JASON WARD is sitting covered by the pale light. On the other side of the DESK a detective, JONATHAN SPENCER, is sitting cross legged, with his pen held in his hand. A COFFEE sits steaming on the desk just in front of SPENCER.
JASON has half of his face spattered with blood and his entire chest and leg also spattered with blood. This is never suddenly revealed until the ending of this sequence.
JASON (V.O.)
(Stuttering)
It was around a, month ago. I met this man. In a bar. We, got talking on about his life. Mostly his, bad times. It was pretty obvious he had had a really bad day. He had been drinking for most of the two hours. Constantly. He ordered a new drink, every time he finished one. He finally said after these, two hours that he should probably go home. He left with a bit of a stumble, didn't really annoy anyone else. Most people had left. He got in his car. A 96' fiesta. Navy blue. He turned the key.
JASON moves his jaw to make a liquid clicking sound.

This is just a little bit that I've put together, not much but it's early days...

03/12/2011

It's a start...

I wanted to get a feel of what my movie might look like, of course this is only a rough animation of the first minute or so, but it gave me a helping hand for the order of the titles and how long the credits would take. I made this on Vegas Pro 9 so it isn't the best quality of animation and such that I would like, but that's why it's a draft.



I've included my false production company logo, the rough movie titling and the director's credit, but I've still got to think of what will go into the rest of the intro.

The shots I wanted the film to start with are;
  • A close up of Jason's eye; to show that the person narrating or just talking over the shots is most likely this man. The following shots gradually reveal more about the situation and personality, which have an immediate impact on the audience as to what he is compared to everyone else in society and why the film focuses on this man.
  • A close up of the handcuffs on Jason's wrist to show that he is a criminal or some sort of suspect in a case, but nothing else is known about him or what crimes he has committed.
  • A pan downwards on his torso to show the blood from Jason's crime to let the audience know that he has been close to someone being hurt badly or killed. But because he is in handcuffs the audience immediately assumes that he has killed someone. Along with his calm demeanor it could suggest that something is mentally wrong with him
  • A low angle shot of Jason's entire face to suggest he has power, but also revealing that he has blood over his face as well, which he hasn't bothered to clean off.
  • The final panning away shot of Jason sitting in the middle of the room with the detective towards the left of the frame to reveal the entire situation and setting; an interrogation room in which Jason is the suspect and the detective is interrogating.
I also want to include a flashback to the killing of Jason's last victim, but only showing the chase between Jason and his victim to imply that Jason has killed this person. These shots will be interlinked with the other shots and used in a way to shock the audience and imply that he has killed this person.

02/12/2011

Four Walls


This is a draft for the logo of my movie intro. I decided on a title for the film and a basic idea of the logo, pretty basic, the logo inside a box to suggest being boxed in and seeing as the title is a different way of describing a room it kind of makes metaphorical sense. Even though this a rough draft only made in 5 minutes on Photoshop I really like how it turned out, I'll leave my brain to come up with something awesome in the subconscious for a day or two, but I'll have another go at making something good.


The main thing I wanted to do with the film is for the majority of it to be set in an interrogation room, the story unfolding in spoken form from the characters, no flashbacks just everything described by the characters. The story's main protagonist is a detective called Jonathan Spencer, a detective in his late 30s currently working on a case about a serial killer who they have little idea about. Spencer is asked to interrogate another serial killer, Jason Ward, who has just been arrested after being caught in the act of killing his latest victim. Even though Ward has killed around 5 victims and suspected of at least 6 more, he is only in his early twenties. There is very little else known about Ward by the police and has been brought in to be interrogated to help find out more about him. Spencer has been asked by one of his colleagues to interrogate Ward about his murders.


Spencer finds out through interviewing Ward that Ward thinks he has killed at least 15 people. Spencer also finds out that Ward marks each victim by cutting the right index finger ligament on the right hand just in the fold of the wrist, Ward says that when the bodies are found, they will easy to identify as who killed them.


I haven't worked out the rest of the film, but I'll get there eventually.

24/11/2011

Movie Titling

We've been having training from an After Effects specialist for a few lessons now, and we're gradually getting towards a final movie ident that we're going to use in our final coursework. I've gone through a few different ideas and I've come up with a look of the font;




I think that the title is pretty cool, that's the only thing I can really say about it, as most indy film company names don't really have any kind of joke or relation to anything, they're just there. The only thing that I can say about how [Curiousity] relates to the style that it's in is that there is no reason why it is a bit distorted by the fibre filter and why the square brackets are around, which to be honest I don't know why they are there.


This was one of my first ideas that I had, but it seemed a bit weird and too childish, so I came up with another idea and let it blend into something that I thought would be a good name;



Preliminary Task

It wasn't exactly hard for us to come up with an idea for someone walking into a room, saying a few lines and then exiting. The four of us, Jake, Evie, Bill and Me all got into a group. My first idea was gangsters, which eventually turned into British gangsters who deal sanwiches at low prices of 10p and who are in a loving relationship. I'm not sure if we were going for comedy or not, but either way it turned out like that. Our project turned out as being comedy from the outset. It's set in a music department cupboard because that is all that we could find. When we got in their we could only fit two people in along with the places for the different aspects of the camera angle. Unfortunately we had to leave someone outside, which was Evie, although it was a short task so it was only for about 10 or so minutes.


Evie didn't seem too concerned about the sounds coming from inside the cupboard. And how we'd got to the final storyline inside the cupboard. We made most of the detail of the gangsters inside the cupboard, our original idea was just to have some gangsters who deal sandwiches. It was eventually extended to cover a loving relationship, cramped conditions, awkward snatching of drugs and money and a small conversation about what was in the sandwich.


Instead of telling about how weird it is, you might aswell watch it;



P.S. It's in black and white cos we're cool.

17/11/2011

Distrubution & Production Companies


Warp films are a film production company that works mainly in Britain. Warp films was founded in 2001 with it's first feature film production in 2004; Dead Man's Shoes directed by Shane Meadows. It's more famous productions are This Is England [2006] directed by Shane Meadows, Four Lions [2010] directed by Chris Morris and Submarine [2010] directed by Richard Ayoade. Warp films has a coverage into the music industry with their record company Warp Records. Warp films helps the production of media including music videos, short films, animation and feature films. Some of it's later productions have even won BAFTAs. Warp films mainly has works on dramas or films that just tell the story of someone's fictional life.


Momentum Pictures are a major distrubution and production company in the film industry. Many of their films have had a global release, with some of those films winning Academy Awards and BAFTAs. Their most successful production  The King's Speech, won a total of 7 productions, including Best Film and Best Actor. It's upcoming productions include the film adaption of the play The Woman In Black, Daniel Radcliffe's first film since the Harry Potter franchise. Momentum Pictures also helps the production of Indy film, with the 2011 film Hobo With A Shotgun. The different range in actors and production teams that Momentum films work with really shows how invested Momentum Pictures want to help every type of film maker and production team. Many of their films aren't in English, showing the international distrubution of their films. Still providing film for all countries and distrubuting them to other countries.

Univeral Studios have a logo and name that suggest that they cover the entire world, the logo of the world, with their name orbiting around it suggests that their films cover the entire world and are visible to everyone. Which most of the time, they are. The logo is very simple but with a lot of detail, allowing the audience to make it recognisable as to what it is.

Relativity Media have a more complicated logo, that shows a galaxy with the font of their name in a line through the middle of the galaxy. There are planets and stars in the fore and background. The logo suggests that their company is the centre of the galaxy or around it but avoiding the galaxy's gravity showing it's uniqueness. There is more detail in this logo which will most likely amaze the audience with it's detail of the other world's. The thing that gets me is that it's pretty!

13/11/2011

Textual Analysis Of Paranormal Activity and Insidious

Paranormal Activity and Insidious are two of the most popular horror films of the past few years, although both use different ways to scare the audience, this can range from the two basic ways to scare an audience;

  • Visual and sound jumps, that give the audience a shock this is usually associated with dramatic irony as the character on-screen does something that the audience know will come, although this can be used as an advantage to the film crew, as the suspense of the scene may build but the shock come at a point different to what the audience were expecting. 
  • Using the imagination of the audience to create something that will scare them, examples of this are films like Alien, were the alien in the film was never fully shown allowing the audience to come up with its own perception of what the creature is capable of. This can also be used to make the audience feel that they should fear something; the Hannibal series utilises this by not providing the audience with the ability to predict what Hannibal is capable of, and him knowing things outside of his cell in a mental hospital. 
Paranormal Activity uses the audience’s imagination in how to scare them, in the beginning of the final scene, the main character of this mockumentary, wakes up and stands over her boyfriend who is peacefully sleeping in bed. A timer in the bottom right hand corner of the view shows what time of day it is. After the woman stands up and begins staring at her boyfriend the timer speeds up, showing that someone has edited the footage to skip the boring parts of it.

Around three hours goes past, the makes the audience immediately certain that something is wrong. It isn’t normal for someone to stand up in there sleep and stand-staring at their partner showing no emotion. This also has an effect of drawing in the attention of the audience, as getting an actress to stand-up and stay in the same position for 3 hours would have been boring and if the actress moved at all, the shot would need to be re-shot; this brings the attention of the audience in, as it makes it more believable that it actually happened which is the main effect the film-makers want to have on the audience.

After the three hours of sped-up footage is done, the timer returns to normal speed and the woman moves away out of the room and down the stairs, the audience have no idea what is controlling her, why she is doing it and where she has gone after going past the stairs. The camera is in a fixed position, as moving it would break the effect of a documentary style film. After a while of the woman going downstairs, a loud scream is heard this is there to shock the audience, but also to provide a moving point of the story. This makes the audience feel curious, but also scared as they have no idea what is coming next, and what is causing the woman to do what she is doing.

After the scream the man immediately wakes up, shouts his partner’s name and runs downstairs to where the screaming is being coming from, this increases the panic in the scene and increases the curiosity and horror in the audience. Something is obviously wrong as the man runs downstairs, the woman still screaming as the man shouts; “what the f*ck”, he immediately stops shouting and the screaming stops, this increases still the horror and the curiosity in the audience as still there is no answer as to what has happened because of the camera’s stationary position.

The footsteps sound like they’re gradually getting closer and closer, the audience do not have any idea as too what is coming up the stairs, until eventually the woman appears holding a knife and her stomach covered in blood. This implies that she has killed the man, but the viewer cannot be certain. There still isn’t an answer as to what and why she has done this but throughout the film she has been told and shown by the recorded footage that she is being possessed by a demon, but the audience never get a sight of it.

The woman walks slowly towards the bed and sits rocking back and forth at a constant and steady rate. This is still something that no ordinary human would do, and still shows that there is something controlling her or that she has mentally broken. Either way it creates an abnormal perception of her from the audience. The timer on the camera speeds up to later on in the day, after 10 hours nothing has happened other than the woman sitting and rocking back and forth constantly. The phone rings, no-one picks up, which implies that the man (along with the woman being covered in blood and holding a knife) is dead, the woman doesn’t react at all to the phone ringing and continues rocking at the slow and steady rate.

Throughout Paranormal Activity the demon is never shown, the only thing that is shown is its footprints which look more like a dinosaur’s than anything else. The fear is made by not showing this creature, making the audience unable to predict what it is capable of by not knowing its size.

Insidious uses visual scares and sound jolts to get the adrenaline going in the audience, it also utilises suspense that may or may not lead up to a scare in the audience. In the beginning of the final scene, which shows a child’s father going into what is effectively limbo and trying to find his son who has been taken by a demon who is possessing him. Immediately from going into The Further, the mise-en-scenĂ© of the film completely changes.

Most of the film uses filters and high contrast to give a cold feeling, which may have a subconscious effect on the audience as cold will increase body functions to produce heat and therefore make the mind feel more awake as it is having to control everything with higher focus, this is all subconscious but it may still have an effect to increase the attention of the audience.

To get into The Further the father must have the help of a ghost specialist, who has told the parents of this child that they need to go and reach their child, who is trapped in The Further, to get him back to consciousness. The father is the one who decides that he should go to find their son. He is sitting in a chair with his eyes shut with the ghost specialist talking to him in a quiet voice about going to The Further. Gradually her voice becomes more and more echoed; this implies to the audience that he is going away from the woman, for me it reminds me of going further and further into a tunnel or a cave, and noise from further away becomes more echoed. The shot immediately turns greyer and a lot blander, the colour goes from a pale orange from the lamps in the room, to a very pale blue and green. This shows something has changed, at this point the audience are not fully aware of what has happened as there has been no explanation of what The Further looks like. This gives a sense of curiosity in the viewer.

After the colour change, the man stands up and says, “It’s useless, I have no idea what I’m doing”, and he turns around to see himself sitting in the chair with the woman talking to his unconscious body. He looks shocked as the woman turns her head slightly and says “take a stride, into the further”. The shot of her is set-up to look strange and provide the audience an inkling that there is something wrong with the setting, the woman’s central line is on the right third, but she is facing outwards of the frame, which is generally the opposite way to be facing in a shot. The woman also isn’t turned fully around to the man and is talking to him, but also his body in reality. This gives the audience some indication that he is in The Further.

After the man has discovered that he is in The Further, he begins to wander around in search of his son. The man grabs a torch on his way out of the house. He always holds the lamp close to his face, which is most likely because there wouldn’t be any other way for the audience to see his expression, but this also shows that the light should be trusted by the audience, as the entire would is in bleary darkness.

Throughout most of this scene, there is an overall indication that the man is somewhere odd. The entire area is a replication of our world, but it is very foggy. The man meets a boy later on that runs away from him on first sight, but then meets him further down the road and points to where he can find his son, Dalton. Even the way the boy raises his arm to point to where Dalton is is very slow, almost robotic, improving the audiences confusion and curiosity.

The man goes in the direction that the boy has pointed him to go towards, he comes across the house that the family moved out of to try and get away from the demon that is living off of their son. As he goes in there are no lights of, everything is in a normal place, which implies that everything is fine, but with no warning a woman in a bride’s dress appears from behind the front door that has just been opened by the man. The shot has been edited so that the woman appears with speed from behind the door, also there is a loud non-diegetic orchestral jump, that helps the film to shock the viewer.

The man doesn’t seem to be too stirred by the woman appearing from no-where, and shouts at her to find where his son is. He follows her up the stairs, which implies that something is leading him to where his son might be, but in turn whatever is leading him isn’t going to help him, as all that is he comes to is a woman in darkness crying in the corner of an empty room at the top of the stairs. This still increases the confusion and curiosity in the audience.

Before the man gets a chance to light the woman’s face with his lamp a child runs across the landing and makes the man go towards the noise, as he is still in search for his son. This shows that the audience shouldn’t get too distracted by what is going on in this house. The man goes towards the sound, and eventually downstairs to try and find his son. Throughout the rest of the scene more and more abstract things occur, trying to scare the man into getting out of The Further, but he has been told by the specialist that he cannot exit without his son. Whatever is controlling what goes in the limbo-like world is trying to get the man away from it, and give-up the search for Dalton, this makes the audience also want to get him out of it, as it will end all the shocks and jumps that will come about.

For me, the more effective way to make an audience be scared during the film is with the methods used in Insidious, as this really does get adrenaline pumping through the body very quickly, whereas the methods used in Paranormal Activity, scare an audience after viewing the film, as they are still left with the question as to what was haunting the woman and what it may look like.

The mise-en-scené of both films is quite different as Paranormal Activity is in the documentary style and is restricted by what it can use to keep the documentary feel alive. There is very little that can be done to provoke any prediction as to what will happen and very little to shock the audience. In Insidious the filmmakers were allowed to do whatever they wanted to shock and stun their audiences as they went to a traditional feature film style, and because the script showed the man going into a place that had no boundaries of the laws of physics, there were infinite ways to scare the audience.

08/11/2011

Ratatouille: Camera Shots and Mise en Scène Connotations

Ratatouille may seen to most people as a film that is focused towards children, and yes, it is. But the effort that goes into making it is humongous, the people at Pixar don't hesitate to put as much effort that goes into an best picture winning film, that they put into any of their films. Of course there is a major difference between the technologies used in an animated film from a real-time flick, but the basic skills are the same.

I've was watching Ratatouille as I was writing my blog post about camera shots, and it really got me focusing on the camera shots used in the ending scenes of the film and how they affect the audience.

Here's a shot-by-shot analysis of the big ending scene.

The beginning shot taken out of context really sums up what the objective of the character is, he has to face what is behind these doors. The low angle shot makes the character seem big, but because he is out of focus it makes the doors seem more important. Even though he has the ability to complete the task, he still has to climb a mountain. The angle that the camera is set provides a point of view where the lines of the door make them seem like a mountain.

In this shot the father of the main character, Remy, is telling him that he finally understands what his son is doing and is proud of him for following his dreams and going past everything that his father has told him to get there. The shot is set so that the audience can see all of the on-screen characters.

This over shoulder shot gives a high angle shot of Remy, which makes the audience feel more pity for the character, and even though the difference in the characters has more to do with the high angle, it still makes it seem that the father is in control of the situation. This is foreshadowing for how the father can help Remy, or not as will soon be found out by the audience.

Here the same effect is being made, as the father is being viewed from a low angle shot, giving him the greater height in the scene.





This is the foreshadowing that the previous two shots have been making, where the father gets the rest of the family to help Remy complete his dream. This wide shot allows the audience to understand the situation and how insignificant Remy really is without help. The rest of the rat family take up half of the shot, and are facing Remy who is on the other side of the frame, but doesn't take up any of that half.

Just after the entire rat family has come over and Remy's father says that the gang will help him. Then a health inspector walks in, one group of the rats goes after him as he frantically tries to start his car. The shot of him hurriedly trying to start his car is focused on by having a close-up of him trying to turn the key in his car which makes the audience more aware of the harassment that he is having about starting his car.
This shot zooms out and shows what a predicament the man is in, with the rats crawling all over his car, the zoom out finally puts the situation into the audiences eyes. Also the view of the health inspector's eye in the mirror gives a sense of fear and unease towards the character, but because the health inspector would have stopped the main protagonist otherwise, the audience doesn't feel as much of a connection with the inspector.

This close up of his eyes still increases the audience's awareness of his panic, also the rats running across the foreground of the shot, but out of focus makes the audience believe that the inspector is trapped by the rats. For me it also gives an image of bullies, with the classic shot of someone about to be beaten up with the figures of the bullies on either side of the shot and the victim in the centre with a terrified look on their face.

Another close up of the man's foot stomping on the accelerator pedal of the car lets the audience know fully what is happening, and because of the quick change of shots, it gives the scene a greater sense of panic.



This shot is a cut-away shot of what Remy is looking at, and his next idea in the restaurant. He always focuses on hygiene, which makes the other rats see him as a kind of freak with how hygienic he is. The close up of this sign gives that sense of hygiene.

This very-wide shot of Remy shows his control over the rest of his family, in the background. With Remy in the foreground it gives the audience with only Remy to look at, with the family behind him it makes the audience believe that he is the chief of all the other characters on screen. He also points in a direction and tells the characters to go that way and they do very quickly, giving the audience a better belief of his chiefness.

This wide shot of the kitchen shows that Remy is on the way to getting his dream coming true. It also shows how organised and OCD Remy is, with all the rats in their different battalions and platoons it gives a sense of discipline on Remy's part. The way that the rats are using mops to get themselves up onto the cookers and such reminds me of ladders going up to battle like in WWI and Medieval battles going over a castle wall. With the wide angle shot, it gives the audience the sense of amazement that has never been met with what is going on in this final big scene.

This shot gives another amazement session for the audience with a human character in the shot it can help provide a size reference for the audience which is procrastinated by the human character being in the foreground, with depth of field it makes it a false reference. The shot also shows that the rats are capable of doing things that humans can do, but quickly because they are all working together.

The human, Linguini, has just pointed out the big factor that there is no-one waiting the tables in the restaurant, and the next shot is this. The close-up of the roller-skates may provide a bit of comedy for the audience, which I find it is because it is completely random. But still it makes the scene seem more hectic than it already is for the audience. As if the rats cooking wasn't already enough.

This shot of Linguini pouring wine on the go for the partial villain of the film. The way that the villain, Ego, isn't fully shown and what is is his back and right arm. This makes him seem bigger and a darker character as not much of him is shown. Also Linguini is blurred because of the hurry that he is in.

Another shot showing how in control Remy is. In the driver's seat.
The focus is on the food, which shows a connection to what the character is doing. It's his job bro.


This is also what the entire scene has been building up to, with this small action of Ego's being the entire conclusion to the scene. It's one small bite for man, one giant leap for rodent kind.

 This is Ego's reaction to the food, obviously something is wrong, with him being in a shocked state. It makes the audience feel that Remy has either succeeded, or for me; killed him. But the next shot is of Ego as a child, therefore the audience know that the food was so good it tastes as good as when food does as a child.

 Yes, the food was so good; he drops his pen. But this still doesn't detract from how the character has amazingly reacted to how amazing the food was.
 This shot is a POV shot from the villain of the story, who previously worked at the restaurant as the boss until Linguini overtakes him as boss. He is furious over who has cooked the food and jumps into the kitchen like a boss, and sees rats working in the kitchen. The shot tries to get the audience to have the same reaction as the villain by using a POV shot, but I don't think it has the right effect as the entire film has classed rats as good.

 This shot is when Ego is being told who the chef is, which is shown with Remy being the same size as Ego, which shows that Remy has managed to beat Ego, and that Remy is no less of a human that Ego is.


Thas a lot of writing.

06/11/2011

Timing Title Sequences

Title sequences can be used in different ways, some films use them to create an emotion towards a character or what the film will be, others to introduce the characters and other films just to tell the audience who has made this film.

I've chosen two title sequences and have time lined them.

Moon - 


0:00-1:05 - Story introduction
1:05-1:18 - Production companies
1:25-1:30 - Main character actor
1:35-1:42 - Movie title
1:54         - Story location
1:57-2:24 - Rest of cast
3:00-5:25 - Casting, Make-up, costume, Conceptual design, Production design, VFX, Post  Production, Cinematography, Music, Editing, Line Producer, Executive Producers, Co-producers, Story, Writing, Producers, Director.

Reservoir Dogs - http://www.artofthetitle.com/2008/04/17/reservoir-dogs/

0:22         - A film by
0:37-1:14 - Main character cast
1:20-1:27 - Movie title
1:33-1:39 - Rest of cast
1:41-2:22 - Casting, Music, Costume, Editing, Production Designer, Cinematography, Co-Producer, Executive Producers, Producing, 

Camera Angles, Movement & Shots

Camera Angles
Different camera angles can evoke different views in the audience. There are two different extremes of angles; high and low.

High Angle- The camera high up looking down on something which creates a vulnerable or weak sense towards the subject. At increasingly high angles the subject loses it's sense of height which makes it look even smaller.



Low Angle- The camera looking high up at something, making the subject seem a lot bigger than it really is, it can also make the subject look as if it is the same height as a background object.


Camera Movements
Pan - Pivot at a horizontal angle. Normally used to set the scene or reveal something.
Tilt - Panning, but at a vertical angle.
Track - Camera following a subject, normally on a dolly tracking system.

Camera Shots



 Extreme Wide Shot - Establishing shot.



Very Wide Shot - Object is still not fully visible, but takes the focus of the frame.


Wide Shot - Subject takes up full focus of the frame.


Mid Shot - Bottom of the frame is just above the waist, leaving a small gap above the head to the top of the frame.


Close Up - Normally focusing on the face, allowing a small gap below the chin, and just cutting off the top of the head.



Extreme Close Up - Focus on one object or part of the face.

03/11/2011

Storyboarding

Since we did the remake of the hangover, I've started to think about what I could use as a story in my main coursework this year. I've watched quite a few films about serial killers, like Silence Of The Lambs, Zodiac and Red Dragon, and I've always thought in them that the way that the serial killer is perceived in most serial killer films is often very commonly obvious that it is them they have something major to play in the story because of their outlandish personality. In Silence Of The Lambs, Buffalo Bill is never really shown up until the end of the film, but yet he is known to be something crucial in the plot. I wanted to change this and create a very realistic character that would seem like an everyday person, but still be known to be serial killer, playing around with the way that the audience perceive him; is he a serial killer or not?

In Zodiac the serial killer is never really known but there are a lot of suspects in the story, the detectives and the writer in the story never really capture him for the majority of the film, but they meet him in the first half of it. I found that because the story was real it was more interesting, but still I found the ending really frustrating as the audience because of the films length it made it really annoying that even though they had captured the suspect halfway through the film, the let him go and didn't cath him at the end of the film because he dies of a heart attack.

To make the audience more engaged with how the killer is known from the very first shot of the film, but make his character more realistic as a normal person would make it very complicated for the audience to choose whether he is the killer or not, applying plot points that point to someone else being the killer, but still left with a massive plot point that points the finger at the first suspect.

31/10/2011

The Opening Credits

Today we had a double lesson on how to create opening credits in Adobe After Effects CS4, it was really good just to have software like this and tuition on it to produce some really professional looking animations with shapes that we had made and font that we could edit ourselves.

Whilst doing all this it really gave me some info on how I could make my own titling look unique and have a style similar to that of what I would want the film to have. I constantly had an image of the 1995 film se7en by David Fincher. The titling was one of the most memorable for me, and I would really like to mix that style of font with some animation like on Terminator. I'm not sure how this would mix together, but I think that the crazy CRT blurring on the se7en would look good with some images moving slowly in the background also with a TV signal distortion aswell.

Here's both se7en's and Terminator's opening credits:

se7en [1995]


Terminator [1984]


28/10/2011

Filters and Effects

I've been experimenting around with different effects that give a Watchmen look. I didn't really get anywhere for a while and eventually came up with a look that I liked and wasn't too hard to get to, I logged all the adjustments I had done to keep track of what was changed. I started with the basics of what I could pick out from the shots of Watchmen.


The shot is quite moody and sad. This is made by the contrast being very high, the saturation being quite low, and a photo filter which in this shot is a light brown. Although the background in this shot is probably a image laid over a blue screen, which would give the director an infinite choice of the mood of the shot in post production. The choice made was to have the shot reflecting the character, and made it a very depressing and bland shot. The focus is also drawn to a badge the character is holding, this is done by selecting a colour that isn't affecting by the filter. In other shots there is no focus and everything in the shot is drab. 

I tried reaching the same effects by applying what I thought would achieve the same effects. I started out with one tester image of what I was trying to get to:


I applied a full contrast, took away half the saturation of the image, sharpened the edges three times and an overall sharpen effect. Then I chose a filter to apply to all of the image, which I chose as a very dark blue with a density of about 30%.

I think that this effect worked well, although there was a bit too much noise created by the sharpening effects, also because the shot was outdoors looking into a dark area with an overexposed area to the left of it, the over exposed portion was blurred and wiped away by the high contrast.


This is the original photo, I did attempt to changed the over-exposed part but it only ended with one area being too exposed or the entire image losing it's contrast and detail.

I also experimented with layers that pronounced the edges more clearly, this worked but again it created noise on the edges.

Here are some more shots that I used a perfected the shot overall shot effect:

   Above: Edited. Below: Original



   Above: Edited. Below: Original

When I get the chance I will set up some sort of shot that will be similar to one that I plan to get in the final coursework I will apply the effects and tweak them to suit the shot.

26/10/2011

The Coursework Is Here...

Yeh, that time has come. But on the other hand it is Media coursework, so if anything it's enjoyable. Yeeeeeeehaaa. Ever since I started this course I knew what coursework would be involved, so I began thinking about a story for the movie intro that I would eventually make. Ideas went through my mind, I had a few ideas in mind that I waited to have my full judgement on after my first experience on a movie set, and an experience about how to work with other people on set.

Most of the ideas I had were just wiped out by what would be possible as a student. I have a few left, but I'll see what the deadline is for the task.

The main things I've been playing around with are trying to get the right look of the overall visuals of the shots. I've been watching Zack Snyder's The Watchmen recently and I really like the way his shots have a high contrast & sharpness, and most of the shots have very low saturation.


The high sharpness and moody saturation really gives an overall emotion of depression and sadness of the entire film. I'm going to experiment with a few different effects and document them on das Blog.

I also wanted to use some really smooth camera movements, like we used in the Hangover project, but a lot more slower. Some form of dolly system that doesn't have have rails, as I wanted to use it to zoom in on a character to produce tension and curiosity, and if the rails are placed in front in the same direction as camera angle, then they'll be in shot. So something that can hold a camera at around sitting height and doesn't show it's railings in shots.

I'm going to go ahead with some, experimentation...