Showing posts with label Study. Show all posts
Showing posts with label Study. Show all posts

26/02/2012

Ryan Reynolds In A Box

Watched Buried the other day, and it got me thinking even more about what I would want Four Walls to end up like. Somehow I got from thinking about Buried and how it relates to Four Walls for me, by Paul Conroy (Ryan Reynolds) having different objectives and calling people, and I thought that this is what I want Jason to seem like; he has objectives. But unlike Paul Conroy, Jason has control over how the conversation plays out with him and Detective Spencer.


Buried is a 90 minute film that takes place entirely in a box. This may seem like a really boring concept, but it's one of the only films that I've had a real sense of the character. I think that keeping the story within a confined space without flashbacks or other techniques that take the audience out of the box make it difficult to not notice the character's traits. I think that putting two characters in a room will lower the audience's attention to what the character's motives are and focus more on the conversation between the two characters.

But because Jason is going to be in control for the the first two acts, it may be that the script is more of a monologue with some arguments placed to bring tension between the characters and to bring the build-up to the climax.

Because Jason has schizophrenia I want it to make it hard for the audience to know what his motives are for his actions. Also that his motives and emotion change quite drastically throughout, not so much as that he goes from crying to ecstasy within a minute. But so much that he goes from being quite aggressive, to very introverted. Or cooperative to ignorant. Changes like these will add to the fear in Jason and also make it very unpredictable as to what will happen next. I should be careful not to make his emotions repeat throughout the script though, cos no-one likes a boring movie.

24/02/2012

12 Angry Dudes


So I thought to myself, 'what if Four Walls was made into a film?' How would the story fold out, and how well would it work with it just being about 2 people in a room. So I started to go into more detail in watching 12 Angry Men. I started to pick out things that make it a story that works so well with it only being about 12 men in a room.



Throughout most action films, there are three main actions scenes, becoming more and more 'intense' as the film plays out. In 12 Angry Men, there are three main scenes that, throughout the film, become more and more intense as the amount of Jurors turn towards making the defendant 'not guilty'. I think that that is the best way to go through Four Walls, with the points on what Jason has done and revealing more about his character throughout the film.

The three points I've decided would be;
  • Revealing how and why he killed Geoffrey
  • That Jason knows about another killer that the police are still looking for
  • Jason escapes from the room and the detective is left alone to chase Jason back to the forest in which Jason killed Geoffrey.
I think that these points would give a gripping story that would keep the audience interested as it has a very simple plot but the characters seem very contrasting. This story is similar to 12 Angry Men as the storyline goes from one extreme to the other. Jason being captured to being free and it is left to the audience's imagination on what he is going to do to the detective and how the detective deals with the situation.

17/12/2011

Jason; Mark II

I've been talking to my sister, who is studying Psychology in her final year at the moment. She's been specializing in multi-personality disorders, but also in schizophrenia. I asked her if Jason's disorder was feasible and turns out it more into the schizophrenia side of things; when some one 'hears voices', as my sister put it. She said that it is very common for a serial killer to have schizophrenia, when someone with the disorder does kill someone, it is very hard to charge them under the same charges as someone without the disorder. Most of the time the killer will end up having to go to an asylum.


Other films that involve a serial killer with schizophrenia include the recent Australian true story film; Snowtown. The character of James Vlassakis, who is currently serving a life sentence for being involved in four murders between '97 and '99. In the film, James finds out from his doctor that he has mild schizophrenia, although the real James Vlassakis isn't publicly known to have the disorder. In Snowtown the James is perceived as someone that could have something wrong with him. 


James Vlassakis in Snowtown [2011]. Played by Lucas Pittaway
The character of James is someone who just seems to go along with whatever really happens to him, he never makes his own decisions, he is told what to do and does it, and when someone wants something from him, James doesn't hold any will to stop them. James' schizophrenia may have been caused by many different things; growing up the rough suburbs of Adelaide, in his early life his father had left, leaving his mother to find another man who can supply money for the family and also care for her three children when she isn't around. Within the first 20 minutes of the film, the first man she puts her trust in, turns out to be a pedophile who abuses James and his brothers. Throughout the rest of the film, James is surrounded by things people of his age shouldn't be, his mother introduces a gay man into the friendship of the family, a new man (John Bunting) marries James' mother, John's son (Troy) from another woman starts to live with the family, Troy rapes James, eventually James gets involved with a series of murders that Troy and one of his close friends plan.


These events that have occurred throughout James' early life have tortured his mind into having schizophrenia. From this film it is easy to understand that the perception of schizophrenia is normally always associated with murder, and in it's worst cases serial killings. Schizophrenia always perceived as part of a villain in most films, with films like Silence Of The Lambs and Donnie Darko viewing it as a downside, but still the characters are the interest of the film.


I want Jason to be somewhat of a character like James from Snowtown, Hannibal Lecter from The Silence Of The Lambs and Donnie Darko from, er, Donnie Darko. These characters have always been the focus of the film, never has anyone said to me that they remember The Silence Of The Lambs for anything other than Hannibal Lecter or Buffalo Bill. Jason should be a character who has a control over the rest of the characters, where he knows the entire story of what the detective is trying to discover, whether or not he knows the man Detective Spencer is trying to find. Hannibal Lecter is a character who is scary because not much is known about him, other than he knows who Buffalo Bill is (possibly) and he also has leverage over the protagonist, yet he is in a jail cell. He is generally a scary character for how he is capable of so much, not much known about him and how he has such a reputation of a mass murder and a cannibal but seems like a relatively normal person.

12/12/2011

Four Walls II

I've finally got a pretty much finished logo of the movie;




It's only a first draft, but pretty much close to the final logo that I'd like to have, it needs a little more tinkering to get rid of the mechanical movements, but besides that I really like the blur effects I've added in, which was made by having three separate video layers and applying a fast blur on all of them in After Effects. One layer with a horizontal and another with a vertical to get the box blurring together, then another layer with an overall blur to get a fading in blur on it.


The font was blurred in and set to come together as it gets closer to the centre, the movement is still a little jerky, which I'll change to become more smooth.


Really happy with this draft, got everything how I wanted it, now moving onto the actual film...


I've started to write a bit of the script for it, not really in detail but I'm getting a set piece for the dialogue in the opening. Here it is so far...


INT. Interrogation Room - EVENING
Artificial lighting shines down to the centre of the room. A man, JASON WARD is sitting covered by the pale light. On the other side of the DESK a detective, JONATHAN SPENCER, is sitting cross legged, with his pen held in his hand. A COFFEE sits steaming on the desk just in front of SPENCER.
JASON has half of his face spattered with blood and his entire chest and leg also spattered with blood. This is never suddenly revealed until the ending of this sequence.
JASON (V.O.)
(Stuttering)
It was around a, month ago. I met this man. In a bar. We, got talking on about his life. Mostly his, bad times. It was pretty obvious he had had a really bad day. He had been drinking for most of the two hours. Constantly. He ordered a new drink, every time he finished one. He finally said after these, two hours that he should probably go home. He left with a bit of a stumble, didn't really annoy anyone else. Most people had left. He got in his car. A 96' fiesta. Navy blue. He turned the key.
JASON moves his jaw to make a liquid clicking sound.

This is just a little bit that I've put together, not much but it's early days...

02/12/2011

Four Walls


This is a draft for the logo of my movie intro. I decided on a title for the film and a basic idea of the logo, pretty basic, the logo inside a box to suggest being boxed in and seeing as the title is a different way of describing a room it kind of makes metaphorical sense. Even though this a rough draft only made in 5 minutes on Photoshop I really like how it turned out, I'll leave my brain to come up with something awesome in the subconscious for a day or two, but I'll have another go at making something good.


The main thing I wanted to do with the film is for the majority of it to be set in an interrogation room, the story unfolding in spoken form from the characters, no flashbacks just everything described by the characters. The story's main protagonist is a detective called Jonathan Spencer, a detective in his late 30s currently working on a case about a serial killer who they have little idea about. Spencer is asked to interrogate another serial killer, Jason Ward, who has just been arrested after being caught in the act of killing his latest victim. Even though Ward has killed around 5 victims and suspected of at least 6 more, he is only in his early twenties. There is very little else known about Ward by the police and has been brought in to be interrogated to help find out more about him. Spencer has been asked by one of his colleagues to interrogate Ward about his murders.


Spencer finds out through interviewing Ward that Ward thinks he has killed at least 15 people. Spencer also finds out that Ward marks each victim by cutting the right index finger ligament on the right hand just in the fold of the wrist, Ward says that when the bodies are found, they will easy to identify as who killed them.


I haven't worked out the rest of the film, but I'll get there eventually.

24/11/2011

Preliminary Task

It wasn't exactly hard for us to come up with an idea for someone walking into a room, saying a few lines and then exiting. The four of us, Jake, Evie, Bill and Me all got into a group. My first idea was gangsters, which eventually turned into British gangsters who deal sanwiches at low prices of 10p and who are in a loving relationship. I'm not sure if we were going for comedy or not, but either way it turned out like that. Our project turned out as being comedy from the outset. It's set in a music department cupboard because that is all that we could find. When we got in their we could only fit two people in along with the places for the different aspects of the camera angle. Unfortunately we had to leave someone outside, which was Evie, although it was a short task so it was only for about 10 or so minutes.


Evie didn't seem too concerned about the sounds coming from inside the cupboard. And how we'd got to the final storyline inside the cupboard. We made most of the detail of the gangsters inside the cupboard, our original idea was just to have some gangsters who deal sandwiches. It was eventually extended to cover a loving relationship, cramped conditions, awkward snatching of drugs and money and a small conversation about what was in the sandwich.


Instead of telling about how weird it is, you might aswell watch it;



P.S. It's in black and white cos we're cool.

13/11/2011

Textual Analysis Of Paranormal Activity and Insidious

Paranormal Activity and Insidious are two of the most popular horror films of the past few years, although both use different ways to scare the audience, this can range from the two basic ways to scare an audience;

  • Visual and sound jumps, that give the audience a shock this is usually associated with dramatic irony as the character on-screen does something that the audience know will come, although this can be used as an advantage to the film crew, as the suspense of the scene may build but the shock come at a point different to what the audience were expecting. 
  • Using the imagination of the audience to create something that will scare them, examples of this are films like Alien, were the alien in the film was never fully shown allowing the audience to come up with its own perception of what the creature is capable of. This can also be used to make the audience feel that they should fear something; the Hannibal series utilises this by not providing the audience with the ability to predict what Hannibal is capable of, and him knowing things outside of his cell in a mental hospital. 
Paranormal Activity uses the audience’s imagination in how to scare them, in the beginning of the final scene, the main character of this mockumentary, wakes up and stands over her boyfriend who is peacefully sleeping in bed. A timer in the bottom right hand corner of the view shows what time of day it is. After the woman stands up and begins staring at her boyfriend the timer speeds up, showing that someone has edited the footage to skip the boring parts of it.

Around three hours goes past, the makes the audience immediately certain that something is wrong. It isn’t normal for someone to stand up in there sleep and stand-staring at their partner showing no emotion. This also has an effect of drawing in the attention of the audience, as getting an actress to stand-up and stay in the same position for 3 hours would have been boring and if the actress moved at all, the shot would need to be re-shot; this brings the attention of the audience in, as it makes it more believable that it actually happened which is the main effect the film-makers want to have on the audience.

After the three hours of sped-up footage is done, the timer returns to normal speed and the woman moves away out of the room and down the stairs, the audience have no idea what is controlling her, why she is doing it and where she has gone after going past the stairs. The camera is in a fixed position, as moving it would break the effect of a documentary style film. After a while of the woman going downstairs, a loud scream is heard this is there to shock the audience, but also to provide a moving point of the story. This makes the audience feel curious, but also scared as they have no idea what is coming next, and what is causing the woman to do what she is doing.

After the scream the man immediately wakes up, shouts his partner’s name and runs downstairs to where the screaming is being coming from, this increases the panic in the scene and increases the curiosity and horror in the audience. Something is obviously wrong as the man runs downstairs, the woman still screaming as the man shouts; “what the f*ck”, he immediately stops shouting and the screaming stops, this increases still the horror and the curiosity in the audience as still there is no answer as to what has happened because of the camera’s stationary position.

The footsteps sound like they’re gradually getting closer and closer, the audience do not have any idea as too what is coming up the stairs, until eventually the woman appears holding a knife and her stomach covered in blood. This implies that she has killed the man, but the viewer cannot be certain. There still isn’t an answer as to what and why she has done this but throughout the film she has been told and shown by the recorded footage that she is being possessed by a demon, but the audience never get a sight of it.

The woman walks slowly towards the bed and sits rocking back and forth at a constant and steady rate. This is still something that no ordinary human would do, and still shows that there is something controlling her or that she has mentally broken. Either way it creates an abnormal perception of her from the audience. The timer on the camera speeds up to later on in the day, after 10 hours nothing has happened other than the woman sitting and rocking back and forth constantly. The phone rings, no-one picks up, which implies that the man (along with the woman being covered in blood and holding a knife) is dead, the woman doesn’t react at all to the phone ringing and continues rocking at the slow and steady rate.

Throughout Paranormal Activity the demon is never shown, the only thing that is shown is its footprints which look more like a dinosaur’s than anything else. The fear is made by not showing this creature, making the audience unable to predict what it is capable of by not knowing its size.

Insidious uses visual scares and sound jolts to get the adrenaline going in the audience, it also utilises suspense that may or may not lead up to a scare in the audience. In the beginning of the final scene, which shows a child’s father going into what is effectively limbo and trying to find his son who has been taken by a demon who is possessing him. Immediately from going into The Further, the mise-en-scenĂ© of the film completely changes.

Most of the film uses filters and high contrast to give a cold feeling, which may have a subconscious effect on the audience as cold will increase body functions to produce heat and therefore make the mind feel more awake as it is having to control everything with higher focus, this is all subconscious but it may still have an effect to increase the attention of the audience.

To get into The Further the father must have the help of a ghost specialist, who has told the parents of this child that they need to go and reach their child, who is trapped in The Further, to get him back to consciousness. The father is the one who decides that he should go to find their son. He is sitting in a chair with his eyes shut with the ghost specialist talking to him in a quiet voice about going to The Further. Gradually her voice becomes more and more echoed; this implies to the audience that he is going away from the woman, for me it reminds me of going further and further into a tunnel or a cave, and noise from further away becomes more echoed. The shot immediately turns greyer and a lot blander, the colour goes from a pale orange from the lamps in the room, to a very pale blue and green. This shows something has changed, at this point the audience are not fully aware of what has happened as there has been no explanation of what The Further looks like. This gives a sense of curiosity in the viewer.

After the colour change, the man stands up and says, “It’s useless, I have no idea what I’m doing”, and he turns around to see himself sitting in the chair with the woman talking to his unconscious body. He looks shocked as the woman turns her head slightly and says “take a stride, into the further”. The shot of her is set-up to look strange and provide the audience an inkling that there is something wrong with the setting, the woman’s central line is on the right third, but she is facing outwards of the frame, which is generally the opposite way to be facing in a shot. The woman also isn’t turned fully around to the man and is talking to him, but also his body in reality. This gives the audience some indication that he is in The Further.

After the man has discovered that he is in The Further, he begins to wander around in search of his son. The man grabs a torch on his way out of the house. He always holds the lamp close to his face, which is most likely because there wouldn’t be any other way for the audience to see his expression, but this also shows that the light should be trusted by the audience, as the entire would is in bleary darkness.

Throughout most of this scene, there is an overall indication that the man is somewhere odd. The entire area is a replication of our world, but it is very foggy. The man meets a boy later on that runs away from him on first sight, but then meets him further down the road and points to where he can find his son, Dalton. Even the way the boy raises his arm to point to where Dalton is is very slow, almost robotic, improving the audiences confusion and curiosity.

The man goes in the direction that the boy has pointed him to go towards, he comes across the house that the family moved out of to try and get away from the demon that is living off of their son. As he goes in there are no lights of, everything is in a normal place, which implies that everything is fine, but with no warning a woman in a bride’s dress appears from behind the front door that has just been opened by the man. The shot has been edited so that the woman appears with speed from behind the door, also there is a loud non-diegetic orchestral jump, that helps the film to shock the viewer.

The man doesn’t seem to be too stirred by the woman appearing from no-where, and shouts at her to find where his son is. He follows her up the stairs, which implies that something is leading him to where his son might be, but in turn whatever is leading him isn’t going to help him, as all that is he comes to is a woman in darkness crying in the corner of an empty room at the top of the stairs. This still increases the confusion and curiosity in the audience.

Before the man gets a chance to light the woman’s face with his lamp a child runs across the landing and makes the man go towards the noise, as he is still in search for his son. This shows that the audience shouldn’t get too distracted by what is going on in this house. The man goes towards the sound, and eventually downstairs to try and find his son. Throughout the rest of the scene more and more abstract things occur, trying to scare the man into getting out of The Further, but he has been told by the specialist that he cannot exit without his son. Whatever is controlling what goes in the limbo-like world is trying to get the man away from it, and give-up the search for Dalton, this makes the audience also want to get him out of it, as it will end all the shocks and jumps that will come about.

For me, the more effective way to make an audience be scared during the film is with the methods used in Insidious, as this really does get adrenaline pumping through the body very quickly, whereas the methods used in Paranormal Activity, scare an audience after viewing the film, as they are still left with the question as to what was haunting the woman and what it may look like.

The mise-en-scené of both films is quite different as Paranormal Activity is in the documentary style and is restricted by what it can use to keep the documentary feel alive. There is very little that can be done to provoke any prediction as to what will happen and very little to shock the audience. In Insidious the filmmakers were allowed to do whatever they wanted to shock and stun their audiences as they went to a traditional feature film style, and because the script showed the man going into a place that had no boundaries of the laws of physics, there were infinite ways to scare the audience.

06/11/2011

Timing Title Sequences

Title sequences can be used in different ways, some films use them to create an emotion towards a character or what the film will be, others to introduce the characters and other films just to tell the audience who has made this film.

I've chosen two title sequences and have time lined them.

Moon - 


0:00-1:05 - Story introduction
1:05-1:18 - Production companies
1:25-1:30 - Main character actor
1:35-1:42 - Movie title
1:54         - Story location
1:57-2:24 - Rest of cast
3:00-5:25 - Casting, Make-up, costume, Conceptual design, Production design, VFX, Post  Production, Cinematography, Music, Editing, Line Producer, Executive Producers, Co-producers, Story, Writing, Producers, Director.

Reservoir Dogs - http://www.artofthetitle.com/2008/04/17/reservoir-dogs/

0:22         - A film by
0:37-1:14 - Main character cast
1:20-1:27 - Movie title
1:33-1:39 - Rest of cast
1:41-2:22 - Casting, Music, Costume, Editing, Production Designer, Cinematography, Co-Producer, Executive Producers, Producing, 

23/09/2011

The Fargo DVD Cover

The cover of a DVD seemed to be something normal to me, but then Media Studies happened. We recently looked at the cover of The Coen Brothers' film; Fargo.



So yeah, we looked at in depth, and in my view; it's better to judge a DVD by it's cover than a book. The way everything is laid out for a start can tell you roughly what genre it is; the way that the focus of the shot is on is on the two characters on the right of the shot, and appear quite small compared to the rest of the surroundings shows that it may be mystery/crime related. The colour of the title, near to blood red, shows that death or murder might be involved, or the word Fargo is something important to the story.

The font on the cover shows that it is a thriller. Just to make sure the reader of the cover knows what genre it is. The two characters in shot will most likely be important characters to the story, if the reader doesn't recognise that the woman is Frances McDormand. The tag line beside the characters states; 

A lot can happen in the middle of nowhere

This shows that it is likely to be set somewhere where not much happens, which is a classic feature of a horror or thriller film. Both of the characters are police officers, which might mean that it will be a big film in the setting, in that it will be the main focus of the story or have something building up to it.

So far we've watched half of Fargo, and so far I have quite enjoyed it. It hasn't really been classifiable under one genre yet, but it has mainly been a drama with a bit of comedy thrown in. It is definitely building up to some major plot change, and so far we haven't seen anything to do with the cover, but it is possible that it will lead up to something to the jist of that.

Really looking forward to finding out what happens in the end.

19/09/2011

First Post!

Hey, hows it going? Good. I'm good thank you. Well basically this my blog for my Media Studies AS course, which I'm using as a way to display things I've done, different things I've tried, evaluations and things we've done in classes. Seeing as this my first post I better include something useful, so I'm gonna talk about the stuff that I've learnt about in the first couple weeks of Media Studies;

- What Mise en Scene is, and how it is used in film. Mise en Scene is, in a nut shell, what is displayed on screen. It can cover anything from; the lighting to make up. This can be used to display what the character is feeling and what status the character has in the story, say if the lighting was quite dark and didn't show much of the subject, the audience would know that they were meant to be interested in this character. It also covers the most basic of things, like the costume, if the character was wearing a police uniform, it would most likely mean that he was a police officer.

- How different shots can be used to get different advantages out of the scenery and landscape, and other shots can be used to get a better emotional effect on the audience by the subject. An extreme close up shot can be used to get a greater connection from the character to the audience. A long shot can be used to set the scene and let the audience know where the scene is taking place.

- Who Lester Burnham is. He is a character in American Beauty, played by Kevin Spacey. We studied how the opening two minutes can be used to introduce what the story will be about, for Lester Burnham, throughout the first four minutes of American Beauty, he is visually trapped to the audience. The first time the audience see him he is in darkness lying on his bed, the next shot he is having some 'alone time' in his shower, but he is still boxed in. This shows that he is 'trapped' in his own life.

- How to deconstruct a shot. We were set the task of taking eight frames that would tell the introduction of a story. We then wrote down what each frame was showing and what it was implying.

- How dividing the shot into thirds helps to draw attention to certain areas or how it can be used to make the shot look tidier. We watched a short video about how this technique is used in many films, dividing the shot vertically and horizontally into thirds. This creates a box in the centre of the frame, it is commonly used to put the subject's eye or the centre of their face on one of the top two corners of the box.